Sunday, September 11, 2011

Responses to Course Material

September 18, 2011

             Although we have only had AP English classes for a couple of weeks, I find that I have learned more about how to write a concise yet thorough introduction than I have in all of my previous years of language arts.  By keeping it at around three sentences long, I find it so much more convenient and practical to write an introduction the way we learned than the way I was taught in middle school and earlier years in high school.  Teachers always wanted us to write long, rambling introductions with dialogue, attention-grabbing word choice, and cheesy questions to the reader.  I feel like the way we learned to write introductions thus far is much more mature and professional, though without being boring or bland.
            While this may seem to be something one would learn in middle school, I have just recently discovered that I have been interpreting the term “diction” incorrectly.  I always thought that word choice consisted of a single phrase or few words strung together, not literally just one word.  When we read the essay The Way We Are, I noticed how much significance one word has.  There were the masculine words, like “beating” and “marching”, and then there were the feminine words, like “ kneeling” (if that could even be considered a feminine word).  Regardless, the feeling the different words produced, whether it be calmness or more of a harsh feeling, they always coordinating perfectly with the message that Sedaris was making in that particular part of the piece.  I find it fascinating how the words that we often breeze over when reading are hand-picked with such skill that they may invoke a certain feeling without the reader even being aware of it.  Now that we have discussed more about diction and I have seen how one word cause launch a discussion, I am much more aware of the diction in anything I read.  There is obvious diction, like in a food advertisement where the author uses mouth-watering adjectives, and more subtle diction, like in Sedaris’ essay.
            I thought I knew how to read a prompt, incorrectly thinking you just read it and began to write.  The lesson we did in class on how to respond to all parts of prompt helped me greatly.  I had no idea that there was a different between technique, effect, and meaning.  It took me a while to understand that techniques bring about effects that work with technique to create meaning.  The hidden “so what?” question that is lurking in many of the prompts had been completely unknown to me up until now.   I really like that we are digging deeper into answering a prompt, rather than just skimming the surface like in many of my other language arts classes.  Especially by learning the difference between effects and meaning, I feel as though I will be able to write more complex essays with a thought process that will carry over into my other classes as well.





October 9th, 2011

            Over the past couple of weeks in AP English, we have continued to learn about forms of technique, both broad and more specific.  We also spent some time reading about different specific forms of literature and elements that they encompass.  Most recently, I have finally understood how an author uses syntax to contribute to meaning and tone (not just that he does), learned about the differences between direct and indirect characterization, and the various types of a comedy and the similarities and differences between them.
            Although I previously knew what syntax was, I never really understood how an author could use it to enhance his or her work.  The packet we got that explains syntax (Artful Sentences: Syntax as Style by Virginia Tufte) was really helpful in providing explanations and examples as to how much syntax impacts writing.  For example, I never knew that polysyndeton and asyndeton existed, and that polysyndeton adds smooth rhythm while asyndeton creates a hurried, more informal tone.  The concept of passive voice making something more obscure or removed from the sentence if something I never knew, especially because I had previously been taught to always avoid using the passive voice.  I find it interesting and helpful that, at this point in our study of literature and writing, we are able to use it again to enhance a work and create purposeful distance and vagueness.  The differences an author uses in his or her syntax, though possibly slight and subtle, have all the difference in establishing a mood and tone. 
            The notes we took from our literature textbook were extremely helpful at simply explaining literary terms and ideas.  Rather than being upon for interpretation, as much is in literature, terms like “round characters”, “flat characters”, and “stock characters” are ones that exist in almost every work of literature I have read but didn’t know what they were called.  The book also differentiated and defined indirect characterization and direct characterization.  While I understood before that there was such a thing as characterization, I didn’t know that an author could show rather than tell the audience about a character.
            The packet we received about the different types of comedy was the first exposure I have had to all the types other than parody and satire; low comedy, high comedy, burlesque, farce, lampoon, slapstick, and travesty are all new concepts for me that will be helpful in the comedies we read throughout the year.  As well as learn about the different types of comedy, I also learned about the Theatre of the Absurd, something I had previously been entire unexposed to.  It was particularly useful to read right before reading Albee’s “The American Dream” (as I’m sure Ms. Holmes did on purpose).
            Now that I have learned most of the basics, like the techniques of writing, from which to build a foundation, I am excited to learn more specific concepts like the Theatre of the Absurd.  I look forward to concentrating on one area of study and reading examples that relate to it.



October 23rd, 2011

            Throughout the past couple of weeks in AP English, I’ve been surprised to learn so much that can be learned from annotating a work of literature.  I’ve also been grateful at the second chance we had at writing the Eros prompt and I think that it was helpful in our learning of how to write the essay that the College Board wants to read.
            In annotating “The American Dream”, I was surprised at how deep the author’s influence goes in a work.  When we saw how Albee set the stage for his entire play (that is, introduced the conflict and how he was going to solve it) in the first few lines, I understood how much intent goes into every part of a play or novel.  I was also surprised at how much was implied by the stage setting (with the two chairs and a couch in between) that I would have just skimmed over if we hadn’t stopped to discuss it.  There was a lot of hidden symbolism and meaning in Albee’s play as well, such as the idea of the boxes and Grandma.  I don’t think that I would have picked up on the idea that she represents the old American Dream if we hadn’t looked closer at the double meanings behinds things she said and read the criticism online.  I also would have missed a lot of the more subtle sexual references between Mommy and Daddy if not for my classmates bringing up good points and things that they noticed.  It’s really helpful to discuss as a class because of the different viewpoints on certain subjects and also the different things that people come up with.  I’m excited to get better at picking apart a work in order to get deeper into the future plays and novels that we will read.
            I also thought that re-doing the Eros prompt was extremely helpful in seeing exactly what we need to do in order to score well on the AP essays.  I liked re-doing the same prompt because we could see the parts we included last time and see how the things we added earned more points.  When I rewrote my essay, I took the good elements of my previous one but added a response to the hidden meaning question and tried to improve fluidity and organization.  I also found writing the introduction and topic sentences much easier due to all of the practice we had with sample prompts and prompts our classmates wrote.  While tedious, it drilled in exactly what the structure is and made it one less thing to worry about when writing the essay.
            I look forward to annotating more in the future and being able to spend less time on the simple, obvious meaning and get into the bigger picture that generally underlies a work.  I’m also anxious to see how I did on the Eros re-do and hopefully improve enough to be getting at least a seven by May. 



November 20th, 2011
       Over the past two weeks in AP Lit., we spent a lot of time analyzing "Death of a Salesman".  I liked going back to this play; we looked at it a little bit in American Lit., but I didn't see nearly as much meaning or as many themes as I did when we looked at it this year.  I thought it was interesting to watching the movie first, but I think it definitely influenced my views of the plot.  I am easily influenced by the ideas of others, and I think that the way the story and characters were presented affected how I thought of them.  I look forward to reading "Ceremony" because I know nothing about it and will get to jump right in with a clean slate and form my own thoughts and views.
          In class, we wrote another essay comparing "The History Teacher" and "A Barred Owl".  After missing the hidden meaning question on the last essay, I was focused on making sure I included it in this one.  After we wrote the essay, I felt fairly confident.  However, upon discussing it as a class and peer review, I found that I really got the wrong idea from the poems.  I think that I was too focused on having a meaning that I didn't make sure I had the right one.  I want to work on quality over quantity for the next essay, and hopefully I'll be able to calm down and spend more time actually reading the poems instead of just writing the first thing that comes to my mind.
          Most recently, we worked on the Eras presentations.  I hadn't used Prezi before, and as interesting as it was to look at, I found it a little confusing to figure out.  While I much rather would have used the classic Powerpoint, I understand that it often bores the audience and can look dull.  I think that if we have the chance to use Prezi more, I will take the time to understand all the things you can do with it, like get other background and layouts.  I was surprised when other groups had really interesting layouts because I didn't know they were even possible.  Hopefully we get a chance to use it again!




12-10-2011



            Recently in class, we have been doing a close, second read of Ceremony.  I like re-reading it and getting opinions from the class, because when I did my first read, I felt lost in all of the symbols and themes that were present.  The novel seems to be packed full of meaning, and discussing it in class helps to get points of view outside of my own.  However, I still find it very confusing and I feel as though there are a lot of major ideas that I’m missing.  I think it would definitely be helpful if I were more knowledgeable in Laguna culture, because Silko clearly uses many references to it, such as the Ghost Disease and the beliefs that they have.  I liked reading the “Humor in Ceremony” and “Native American Structure” articles because they helped me to understand some of the things I definitely wouldn’t have picked up on, such as the shapes of the poems that are used and how they effect the culture.  I also liked the humor article because upon my first read, I found Ceremony depressing and sad, and I find it comforting that Silko lightens the mood in subtle, ironic ways.   I look forward to dissecting the climax of the novel and having a discussion on the whole book so we can look are some of the broader themes.  

Prompts

1986. Some works of literature use the element of time in a distinct way. The chronological sequence of events may be altered, or time may be suspended or accelerated. Choose a novel, an epic, or a play of recognized literary merit and show how the author's manipulation of time contributes to the effectiveness of the work as a whole. Do not merely summarize the plot.

Many authors use time as a plot device to add depth to their writing or give background on a character.  The novel Jane Eyre, by Charlotte Brontë, gives readers a glimpse of Jane’s life as a child before accelerating into her young twenties, where the majority of the plot takes place.  Brontë’s manipulation of time provides the explanation of Jane’s personality traits, which are key to the development of her relationship with Mr. Rochester, and a personality with which to juxtapose Jane’s personality at the end of the novel.
The first third of Jane Eyre are clips of scenes from Jane’s childhood, during which she was an orphan and living under a strict uncle.  As exemplified by instances of both verbal abuse, provided by her vain cousins, and physical abusing, like when she was locked in the Red Room, Jane is beaten down and reduced to a timid, weak girl.  After her only friend at the Lowood Institution dies, Jane reaches an even more damaged state.  When Brontë skips eight years ahead in Jane’s life, we find her still carrying the scars of her youth.  Jane is somewhat of a pushover to the young girl she tutors (who is must like Jane’s spoiled cousins) and has trouble asserting herself over Mr. Rochester and his fiancé.  Brontë’s inclusion of the childhood scenes allows us to understand more deeply why Jane acts the way that she does.  She is constantly referred to as “plain”, a description she is content with after having been told so frequently by her cousins and aunt.  Without the details provided by Brontë earlier in the novel, it is possible that readers would be confused as to why Jane is so acceptant of her treatment and social standing within the Thornfield manor. 
As well as manipulating time to give the reader details, which explain Jane’s personality later in the novel, Brontë uses it to compare the young and old Jane as well.  From what we read of at the beginning of the novel, Jane is meek and lacks self-esteem and the confidence to stand up for herself.  By the end of Jane Eyre, however, Jane has grown into a strong and assertive woman whose personality is hardened from the experiences at the Thornfield manor.  Jane falls in love with a man only to discover that his striking appearance hides a dark secret.  After fleeing from the chaos that proceeds, mostly on account of Mr. Rochester’s insane wife, Jane depends on herself to make a living and finally indulges to her desire of teaching poor children the way she believes they should be taught.  Jane’s independence contrasts sharply with the insecurity we saw in the beginning two thirds of the novel, juxtaposition only possible with Brontë’s use of time.  As a result of the plot device, we connect with Jane more and appreciate her growth.   
            Charlotte Brontë’s Jane Eyre is the romantic story of two lovers who handle troubles and triumphs.  The novel is also the journey of a woman from insecurity to independence and the experiences that cause her to get there.  Because of Brontë’s manipulation of time, we are able to fully understand Jane’s personality and feel more emotion when she gains confidence and strength.  




10-2-2011


1984. Select a line or so of poetry, or a moment or scene in a novel, epic poem, or play that you find especially memorable. Write an essay in which you identify the line or the passage, explain its relationship to the work in which it is found, and analyze the reasons for its effectiveness.

           In great literature and famous dramas, memorable lines are repeated again and again, many times being used in modern movies and novels as well; they often provide foreshadowing while presenting the mood and feeling that the characters are set in.  In William Shakespeare’s Macbeth, the ultimate tragedy of a hero’s decent into madness, feelings of greed, betrayal, and guilt flow into one another during the constantly dark mood of the play.  In Macbeth, Shakespeare uses precise diction and vague foreshadowing in the witch's phrases and quotes to introduce the themes of everything not being what it seems and betrayal causing self-destruction.
          The famous quote by the witches in Macbeth, “Fair is foul, and foul is fair”, is a strong clue as to what theme the play is going to carry.  Shakespeare’s concise diction allows the reader to remember this one line and consider it throughout the play.  His use of alliteration in “fair” and “foul”, as well as the symmetry in the syntax of the quote, also serve as memory devices that engrain this quote in one’s memory.  As far as the meaning of the quote, Shakespeare writes this phrase as the last line of Scene 1 to suggest that the things that appear benevolent are evil underneath and what appears evil is really masking benevolence, or everything is not what it seems.  This theme comes into play with the character of Macbeth himself; he appears a loyal, brave soldier who quickly turns on the king, killing him for this position at the throne.  It appears again in the witches’ predictions.  Macbeth rejoices upon hearing that he will one day be king, though he does not suspect the repercussions that will come along with this fate.  Later in the play, the witches tell him that no man who is woman-born will be the one to kill Macbeth.  Assuming that all men are woman-born, Macbeth thinks nothing of this and is blissfully oblivious to the fact that Macduff is not, in fact, “woman-born”, that is until he is murdered.  Shakespeare uses clever diction and syntax to make this line memorable and applicable to the rest of the play. 
                  The theme of betrayal causing self-destruction is also evident through the witches singsong like rhyme, a rhyme that is still used in songs today.  When the witches say “When the hurlyburly’s done, When the battle’s lost and won.  There will be ere the set of sun.” they refer to the entire plot of Macbeth but in vague, subtle terms.  Shakespeare uses rhyme to emphasize this point and cause the reader to take notice.  The “battle” is Macbeth’s fight for the crown and, in essence, power.  In a way, the battle is both “lost and won” because of his short lived glory as king but his quick murder by Macduff.  The witches state that the “set of sun”, or end of the story, will arrive after Macbeth has been through all of the looming “hurlyburly”.  The themes emphasized here are apparent throughout the play and become more so as we watch the actions played out.
                  Macbeth is the famous work of Shakespeare that depicts how a desire of power self-corrupts the beholder.  While the evidence of the themes that exist in the play are obvious by the end, Shakespeare adds effectiveness and depth by planting the ideas at the very beginning.




















10-16-2011





1995. Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, class, or creed. Choose a novel or a play in which such a character plays a significant role and show how that character's alienation reveals the surrounding society's assumptions or moral values.

More often than not, literature is written to make a statement or opinion about a certain culture or society.  In Thomas Hardy’s Tess of the d’Urbervilles, the female protagonist is placed in an unaccepting society in 1880’s Wessex to contrast the citizens’ views.  Hardy uses the characters’ relationships with each other and the tone of the novel to enforce his view that the upper class community in 1880’s Wessex is judgmental, vain, and close-minded.
                  Hardy bases his plot off of a relationship to give strength and depth to his argument against Wessex society.  Tess Durbeyfield’s relationship with Angel Clare is of the “star-crossed lovers” nature in that Tess, coming from a poor family of farmers, is viewed as unsuitable for Angel Clare by his parents.  Before even meeting Tess, Angel’s parents promote his marrying to another young lady, one who comes from more wealth and class.  The opinions of Angel’s parents is one formed at the beginning of their relationship, before anyone discovered that Tess once had an illegitimate child.  Without even knowing of her hidden secret, Angel’s parents look down upon Tess as a “farm girl” and are disappointed of their son for having chosen such a woman as his wife.  Angel’s parents are representative of the entire upper class community in Wessex: judgmental and closed-minded.  Throughout Tess and Angel’s relationship, there are many hurdles that the two are forced to deal with.  Tess struggles with hiding the secret of her son out of fear that she will be judged further and have to end her relationship with Angel.  The attitudes of Angel Clare’s parents symbolize the attitudes held by members of the upper class in 1880’s Wessex.
                  In Tess of the d’Urbervilles, Hardy uses setting to create a tone that contributes to his view that there was a sharp difference in the position of societal members in the 1880’s.  The setting of the novel is dark, dreary, and depressing; Tess struggles to find herself among the pressure from her family.  Mrs. Durbeyfield, a woman who has lived in the lower class all of her life, desires for her daughter to marry a rich, prominent man in society in order to better her life and her family.  This coincides with the plot devices used to make Angel’s parents appear more harsh and close-minded; Tess’s parents understand how difficult it will be for their daughter to marry a man of high stature and so encourage her to marry Alec d’Urberville, a man whom Tess dislikes and who took advantage of her.  The opinions of the upper class citizens is understood and accepted by those of the lower class, like Tess’s family.  The characters in Hardy’s novel interact with one another in a way that enforces Hardy’s point that there was a vast societal difference between classes in the 1880’s.
                  Thomas Hardy writes of a poor girl struggling to find her own strength and a place in society among the judgmental views of those in Wessex.  In Tess of the d’Urbervilles, Thomas Hardy uses relationships among characters and setting to make his point that the upper class in 1880’s Wessex held a superior and vain view of the lower class in society.  



10-16-2011 Revised

1995. Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, class, or creed. Choose a novel or a play in which such a character plays a significant role and show how that character's alienation reveals the surrounding society's assumptions or moral values.

Most literature is written to make a statement or opinion about a certain culture or society.  In Thomas Hardy’s Tess of the d’Urbervilles, the female protagonist is placed in an unaccepting society in 1880’s Wessex to contrast the citizens’ views.  Hardy uses the characters’ relationships with each other and the tone of the novel to enforce his view that the upper class community in 1880’s Wessex is judgmental, vain, and close-minded.
                  Hardy bases his plot off of a relationship between Tess Durbeyfield and Angel Clare.  Their relationship is one of “star-crossed lovers” in that Tess, coming from a poor family of farmers, is viewed as unsuitable for Angel Clare.  Before even meeting Tess, Angel’s parents promote his marrying to another woman, one who comes from wealth and class.  The opinions of Angel’s parents is one formed at the beginning of their relationship, before he discovered that Tess once had an illegitimate child.  Without even knowing of her hidden secret, Angel’s parents look down upon Tess as a “farm girl” and are disappointed of their son for having chosen her as his wife.  Angel’s parents are representative of the upper class community in Wessex: judgmental and closed-minded.  Throughout Tess and Angel’s relationship, there are many hurdles that the two are forced to deal with.  Tess struggles with hiding the secret of her son out of fear that she will be judged further and have to end her relationship with Angel.  The attitudes of Angel Clare’s parents symbolize the attitudes held by members of the upper class in 1880’s Wessex.
                  In Tess of the d’Urbervilles, Hardy uses setting to contribute to the theme that there was a sharp difference in the position of societal members in the 1880’s.  The setting of the novel is dark, dreary, and depressing; Tess struggles to find herself among the pressure from her family.  Mrs. Durbeyfield, a woman who has lived in the lower class all of her life, desires for her daughter to marry a rich man in society in order to better her life and her family.  Tess’s parents understand how difficult it will be for their daughter to marry a man of high stature and so encourage her to marry Alec d’Urberville, a man whom Tess dislikes and who took advantage of her.  The opinions of the upper class citizens is understood and accepted by those of the lower class, like Tess’s family.  The characters in Hardy’s novel interact with one another in a way that enforces Hardy’s point that there was a vast societal difference between classes in the 1880’s.
                  Thomas Hardy writes of a poor girl struggling to find her own strength and a place in society among the judgmental views of those in Wessex.  In Tess of the d’Urbervilles, Hardy uses relationships among characters and setting to make his point that the upper class in 1880’s Wessex held a superior and vain view of the lower class in society.  























10-31-2011




1972. In retrospect, the reader often discovers that the first chapter of a novel or the opening scene of a drama introduces some of the major themes of the work. Write an essay about the opening scene of a drama or the first chapter of a novel in which you explain how it functions in this way.

                  Though not usually apparent during the initial reading of a novel or play, authors frequently use the first chapter or scene to present the main themes and ideas in the work.  Edward Albee writes so subtly in his play “The American Dream” that the reader must go back and re-read in order to discover the hidden themes.  In his play, Albee introduces the themes that Americans desire only what is coveted or admired by fellow Americans through his tone and Mommy’s actions in the first scene in “The American Dream”.
                  Albee creates a disapproving and superior tone aimed at Mommy in beginning hat scene that adds to his theme that Americans are materialistic and thrive on the acceptance of others.  Being the first lengthy dialogue between Mommy and Daddy, the scene in which Mommy describes her purchase of a hat is important to the entire plot.  Mommy shows her frivolous and juvenile personality through frantically excited sentences such as “It was a lovely little hat, and I said, ‘Oh, this is a lovely little hat,’” and “I’ll take this hat; oh my, it’s lovely”.  Mommy’s excitement at simply looking at hats and finding one she likes shows her shallow interests in shopping and material goods.  Albee’s use of repetition, exemplified with Mommy’s persistent use of the word “lovely”, make her seem childish and obnoxious, the way that Albee thinks of her.  When Mommy continues her story about leaving the store and running into the chairman of her woman’s club, she shows pride and self-satisfaction at the fact that the chairman wanted a wheat hat for herself.  The two then get into an argument about whether the hat is wheat or beige.  Albee is clearly showing his disapproval of Mommy’s actions by having her get caught up in something the reader knows is silly.  Albee also pokes fun at Mommy and her personality when he gives her the air of being gullible, such as when she is given the same hat again and convinced that it’s the color beige.  Albee’s tone shows his feelings toward Mommy, which add to significance of the meaning.
                  Mommy’s actions in the opening scene correlate directly to the theme of the entire work.  Mommy, who is desperately pleased with herself for buying what she believes is a beige hat, is distraught and angry when Mrs. Barker informs her that the hat is actually wheat-colored.  Mommy’s reaction at Mrs. Barker’s one comment is an idea that continues throughout the entire play: American citizens are greatly influenced by those around them and want to have only what is accepted by society.  Instead of wanting to keep her wheat-hat and be unique, Mommy goes right back to the hat store and exchanges it for a beige one.  This action suggests the conformity of America and effect of consumerism on our society. When Mommy takes the hat back, she throws a fit, blaming the salesman for selling her a wheat-hat.  Rather than having Mommy blame herself for the purchase, Albee has her shift the blame to someone else, adding meaning to the fact that Americans are shallow and are not concerned with character.  Through his depiction of Mommy and her actions in the first scene, Albee creates themes that are later supported with Mommy’s actions involving the bundle and her interactions with Mrs. Barker.
                  Through brief and inconspicuous, the hat scene subtly presents the themes that are more obviously presented later in the work.  In “The American Dream”, Albee is discreet but thorough in his structure of the first scene in order to create the underlying theme that Americans and American culture are materialistic, superficial, and juvenile, a theme that is persistent in the rest of the play.






10-31-2011 Revised

1972. In retrospect, the reader often discovers that the first chapter of a novel or the opening scene of a drama introduces some of the major themes of the work. Write an essay about the opening scene of a drama or the first chapter of a novel in which you explain how it functions in this way.

                  Authors frequently use the first chapter or scene to present the main themes and ideas in the work.  Edward Albee subtly includes his themes in “The American Dream” in the opening scene.  In his play, Albee introduces the theme that Americans desire only what is coveted or admired by fellow Americans through his tone and Mommy’s actions in the first scene in “The American Dream”.
                  Albee uses a disapproving tone aimed at Mommy in the beginning scene that adds to his theme that Americans are materialistic and thrive on the acceptance of others.  As the first lengthy dialogue between Mommy and Daddy, the scene in which Mommy describes her purchase of a hat is important to the entire plot.  Mommy shows her frivolous and juvenile personality through sentences such as “It was a lovely little hat, and I said, ‘Oh, this is a lovely little hat,’” and “I’ll take this hat; oh my, it’s lovely”.  Mommy’s excitement at simply looking at hats and finding one she likes shows her shallow interests in shopping and material goods.  Mommy’s persistent use of the word “lovely” makes her seem childish and obnoxious, the way that Albee thinks of her.  When Mommy continues her story about leaving the store and running into the chairman of her woman’s club, she shows self-satisfaction at the fact that the chairman wanted a wheat hat for herself.  The two then get into an argument about whether the hat is wheat or beige.  Albee is clearly showing his disapproval of Mommy’s actions by having her get caught up in something the reader knows is silly.  Albee also pokes fun at Mommy and Americans in general when he gives her the air of being gullible, such as when she is given the same hat again and convinced that it’s the color beige.  Albee’s tone shows his feelings toward Mommy, which is representative of how he feels about Americans as a whole.
                  Mommy’s actions in the opening scene correlate directly to the theme of the entire work.  Mommy, who is pleased that she bought she believes to be a beige hat, is angry when Mrs. Barker informs her that the hat is actually wheat-colored.  Mommy’s reaction at Mrs. Barker’s comment is an idea that continues throughout the entire play: American citizens are greatly influenced by those around them and want to have only what is accepted by society.  Instead of wanting to keep her wheat-hat and be unique, Mommy goes right back to the hat store and exchanges it for a beige one.  This shows the conformity of America and the effects of consumerism on our society. When Mommy takes the hat back, she throws a fit, blaming the salesman for selling her a wheat-hat.  Rather than having Mommy blame herself for the purchase, Albee has her shift the blame to someone else, adding meaning to the fact that Americans are shallow and are not concerned with character.  Through his depiction of Mommy and her actions in the first scene, Albee creates themes that are later supported with Mommy’s actions involving the bundle and her interactions with Mrs. Barker.
                  Though brief and inconspicuous, the hat scene presents the themes that are more obviously presented later in the work.  In “The American Dream”, Albee is discreet but thorough in his structure of the first scene in order to create the theme that Americans and American culture are materialistic and superficial. 










11-13-2011











2007, Form B. Works of literature often depict acts of betrayal. Friends and even family may betray a protagonist; main characters may likewise be guilty of treachery or may betray their own values. Select a novel or play that includes such acts of betrayal. Then, in a well-written essay, analyze the nature of the betrayal and show how it contributes to the meaning of the work as a whole.

                  Betrayal has always been a taboo, unforgivable act in society.  In “Death of a Salesman”, Arthur Miller plays on the idea of betrayal in order to put stress on the Loman family and bring out the raw emotions inside each character.  Through Willy Loman’s betrayal of his marriage due to a secret affair, Miller creates a turning point in the relationship between Willy and Biff to emphasize the theme that the American dream is impossible to achieve.
                  Willy’s affair with the younger woman is the climax of his relationship with Biff.  Leading up to this event, the father and son have a positive relationship of mutual support and respect.  Biff craves his father’s acceptance and approval, for example when he eagerly tells him that the touchdown he will get in the upcoming football game will be for him.  Biff also tells his father what he wants to hear in terms of Bernard when he tells him that he is “liked, but not well liked”.  Willy, desiring that his son is the most well-liked and popular by in school, gleams with pride when Biff tells him of the time he impersonated his math teacher to get a laugh from his class.  After Biff walks in on his father with another woman, he is shocked and speechless, utterly confused that his father, the man in whom he put all his trust and faith, had done something so terrible to Linda.  At this point in the play, Biff’s character shifts from excited and youthful to disillusioned and jaded.  He no longer seems his father as a role model but more as a traitor to the family. 
                  This shift between the two main characters supports Miller’s theme that the American dream is unattainable by showing the culmination of Willy’s efforts to have the dream and how they destroyed his relationship with his son.  The broken bond between Willy and Biff is the product of Willy’s constant struggle to achieve success, even after the world has continually pushed against him.  One feels sympathy for Willy because of how hard he tried and how little it got him.  Willy’s act of betrayal is also a result of the many stresses in Willy’s life: to provide for his family, to succeed as greatly as his brother, Ben, and to encourage Biff to work hard and get the most out of life.  The secret affair and the effect it has on Willy’s relationship with Biff presents the possible destruction that attempting to achieve the impossible can bring.
                  Through artful flashbacks and memories, Miller brings his readers steadily to the climax of the father-son relationship, Biff’s discovery of Willy’s affair.  Through Willy’s action of betraying Linda and the shame that follows, Miller creates the meaning that the American dream is impossible to achieve and attempting to do so can only bring destruction.


11-13-2011 Revised

2007, Form B. Works of literature often depict acts of betrayal. Friends and even family may betray a protagonist; main characters may likewise be guilty of treachery or may betray their own values. Select a novel or play that includes such acts of betrayal. Then, in a well-written essay, analyze the nature of the betrayal and show how it contributes to the meaning of the work as a whole.

                  Betrayal has always been a taboo, unforgivable act in society.  In “Death of a Salesman”, Arthur Miller plays on the idea of betrayal in order to put stress on the Loman family and bring out the raw emotions inside each character.  Through Willy’s betrayal of his marriage due to a secret affair, Miller creates a turning point in the relationship between Willy and Biff to emphasize the theme that the American dream is impossible to achieve.
                  Willy’s affair with the younger woman, and Biff’s discovery of it, changes their relationship.  Leading up to it, the father and son have a positive relationship.  Biff craves his father’s acceptance and approval, for example when he eagerly tells him that the touchdown he will get in the upcoming football game will be for him.  Biff also tells his father what he wants to hear in terms of Bernard when he tells him that he is “liked, but not well liked”.  Willy, desiring that his son is the most well-liked and popular by in school, is proud when Biff tells him of the time he impersonated his math teacher to get a laugh from his class.  After Biff walks in on his father with another woman, he is shocked, utterly confused that his father, the man in whom he put all his trust and faith, has done something so terrible to Linda.  At this point in the play, Biff’s character shifts from excited and youthful to disillusioned and jaded.  He no longer seems his father as a role model but more as a traitor to the family. 
                  This shift between the two main characters supports Miller’s theme that the American dream is unattainable by showing the culmination of Willy’s efforts to have the dream and how they destroyed his relationship with his son.  The broken bond between Willy and Biff is the product of Willy’s constant struggle to achieve success, even after the world has continually pushed against him.  One feels sympathy for Willy because of how hard he tried and how little it got him.  Willy’s act of betrayal is also a result of the many stresses in Willy’s life: to provide for his family, to succeed as greatly as his brother, Ben, and to push Biff to work hard and get the most out of life.  The secret affair and the effect it has on Willy’s relationship with Biff show how attempting to achieve the impossible can result in destruction.
                  Through flashbacks and memories, Miller brings his readers to the turning point of the father-son relationship, Biff’s discovery of Willy’s affair.  Through Willy’s betrayal of Linda and the shame that follows, Miller creates the meaning that the American dream is impossible to achieve and attempting to do is futile. 





















12-4-2011










1980. A recurring theme in literature is the classic war between a passion and responsibility. For instance, a personal cause, a love, a desire for revenge, a determination to redress a wrong, or some other emotion or drive may conflict with moral duty. Choose a literary work in which a character confronts the demands of a private passion that conflicts with his or her responsibilities. In a well-written essay show clearly the nature of the conflict, its effects upon the character, and its significance to the work.

                  Macbeth is one of the most famous stories of internal struggle existing in a man; Lord Macbeth, considered a tragic hero, battles with his desire for power and his moral responsibilities to his town.  Shakespeare uses Macbeth’s confrontation with this desire to emphasize the conflicting needs and wants of human beings and the power of passion that can eventually overtake one’s morals.
                  The buildup to Macbeth’s recognition of the demands of his desire are strengthened with the facts given about his past.  A man of significant stature and social standing, Macbeth was well respected in the community and seen as courageous, responsible, and dependable.  These personality traits make Macbeth’s actions later in the play that much more shocking and effective to the reader, who would not expect a man like Macbeth to do such things.  Although Macbeth is originally a pure man with good morals, his wife, Lady Macbeth, has ever growing desires of power and wealth for her family.  Her wishes rub off on Macbeth, who wants to please and provide for his wife.  After listening to her constant urging and the witches’ prophecies, Macbeth is driven to the point of believing what they say and wanting the same things as his wife.  The effects of his newfound desire for power, and his betrayal of the king, cause Macbeth to begin his slow descent to insanity and eventually death.  The guilt he feels takes the form of ghosts that him and repetitive visions and thoughts that constantly remind him of what he has done.   The nature of the conflict as well as the toll it takes on Macbeth emphasizes Shakespeare’s meaning.
The effects of this internal war on Macbeth add to Shakespeare’s underlying statement about humanity in general.  Macbeth exemplifies the typical man of high social standing who is corrupted by greed and eventually gains nothing.  Shakespeare uses this constant internal struggle as the main conflict, supported by a few physical conflicts.  The internal turmoil in Macbeth is viewed as the most important conflict in the book, a plot element exemplified by the fact that the actual murdering of  King Duncan is left out of the play completely.  When Macbeth confronts the demands of the passion (in his statement in which he recognizes that he has lead himself to his own death), there is nothing he is able to do to prevent it.  This supports Shakespeare’s theme that human beings are often overcome by greed and personal desire and lose all sense of morals due to those desires.
The tragedy of Macbeth is the classic story of the dramatic fall of a hero.  Previously a responsible man, Macbeth has no one to blame but himself for his tragic fall from grace. Shakespeare uses the buildup of Macbeth’s recognition of his flaw and the recognition itself to prove that humans are sometimes weak to personal traits and desires.















































































12-4-2011- Revised





























1980. A recurring theme in literature is the classic war between a passion and responsibility. For instance, a personal cause, a love, a desire for revenge, a determination to redress a wrong, or some other emotion or drive may conflict with moral duty. Choose a literary work in which a character confronts the demands of a private passion that conflicts with his or her responsibilities. In a well-written essay show clearly the nature of the conflict, its effects upon the character, and its significance to the work.


  Macbeth is a story of internal struggle; Lord Macbeth, considered a tragic hero, battles with his desire for power and his moral responsibilities to his town.  Shakespeare uses Macbeth’s confrontation with this desire to emphasize the conflicting needs and wants of human beings.
  Specific facts about Macbeth’s history add to his recognition of the tragic flaw.  A man of stature and social standing, Macbeth was well respected in the community and seen as responsible and dependable.  These personality traits make Macbeth’s actions later in the play more shocking and effective to the reader, who would not expect a man like Macbeth to do such things.  Although Macbeth is originally a pure man with morals, his wife, Lady Macbeth, has ever growing desires of power and wealth for her family.  Her wishes rub off on Macbeth, who wants to please and provide for his wife.  After listening to her constant urging and the witches’ prophecies, Macbeth is driven to believing what they say and wanting the same things as his wife.  The effects of his newfound desire for power, and his betrayal of the king, cause Macbeth to begin his descent to insanity and eventually death.  The guilt he feels takes the form of ghosts that him and repetitive visions that constantly remind him of what he has done.  The nature of the conflict as well as the toll it takes on Macbeth emphasizes Shakespeare’s meaning.
The effects of this internal war on Macbeth add to Shakespeare’s statement about humanity.  Macbeth exemplifies the typical man of high social standing who is corrupted by greed and eventually gains nothing.  Shakespeare uses this internal struggle as the main conflict, supported by physical conflicts.  The internal turmoil in Macbeth is viewed as the most important conflict in the book, a plot element exemplified by the fact that the actual murdering of King Duncan is left out of the play completely.  When Macbeth confronts the demands of the passion (in his statement in which he recognizes that he has lead himself to his own death), there is nothing he is able to do to prevent it.  This supports Shakespeare’s theme that humans are often so overcome by greed and personal desire that they lose their morals.
The tragedy of Macbeth is the story of the dramatic fall of a hero.  Previously a responsible man, Macbeth has no one to blame but himself for his fall from grace. Shakespeare uses the buildup to Macbeth’s recognition of his flaw and the recognition itself to prove that humans are sometimes slave to personal traits and desires.      





































                   














Close Readings

Reverie in Yellow (#1)


               Originally published in The New York Times by an unknown author, Reverie in Yellow has excellent examples of literary tools used to draw the reader in.  The author, who writes about an experience in New York City, uses diction, imagery, and details to make the reader fully understand the experience and feel as though he or she is in New York City.
               The diction in this editorial are words that one wouldn't expect in this particular piece of writing.  The author uses words that stand out as different but add to the description, making it that much more engaging and interesting to the reader.  Out of context, the word "seduction" makes me think of a dimly lit room with candles and roses; however, when he uses the word to describe how a taxi window makes you want to peer out of it, it articulates the feeling so clearly that you really understand the draw of the window.  Later in the editorial, the author states that the window "demands your attention".  The word "demand" personifies the window, making one feel as though he is literally submissive to the window and must do as it asks.  The author uses these words to make looking out the window seem like something everyone is powerless to resist, and must indulge in.
               New York City is full of bustling streets and people, and the author does a good job of capturing that in his writing.  Because the editorial is based on the action of looking out the window in a taxi, he makes the events leading up to it pale in comparison and seem mundane and boring.  He says that to get one in NYC, "You raise your arm, a cab pulls over, and off you go".  Simple as that, nothing exciting.  The author makes this imaginary taxi passenger unsuspicious of the seducing that's about to take place.  And, once our passenger is looking through the window, "it is like snorkeling through a crowded coral reef."  The image of a busy ocean, crowded yet attractive at the same time, is used to describe the streets of NYC.  The simile relates the experience of looking through the window to just as fascinating as looking at oceanic life.  He uses another oceanic image in his metaphor "your cab is just one fish in a school of yellow fishes".  The author shows how the experience, though glorious when you are the one experiencing it, is just a tiny part of all the happenings in NYC.
               To prevent the reader from getting lost in the experience of the window, the author uses details to focus his writing and show a modern and clear purpose.  There are a few specific details the author uses in his editorial to sort of make the writing pop.  Before he describes looking through the taxi window, he states how people realize how much they need it in times when taxis are suspended "as it was during Hurricane Irene."  He gives a real example of a recent time when they were suspended, just so we know he isn't making up the fact that taxis sometimes get suspended.  It gives depth and perspective since Hurricane Irene was only a few weeks ago.  At the end of the editorial, he starts to finish his literary taxi drive with "as the traffic slows near Times Square", stating a specific spot in NYC.   I think that the author added this detail to prove that his theoretical taxi drive indeed had a purpose, and the action of looking out the window was just an added bonus.
               Reverie in Yellow is a unique and refreshing glimpse inside the mind of a NYC inhabitant.  The author of the editorial uses sharp diction and descriptive imagery to allow our mind to paint pictures of the scene while keeping us centered on the main points and setting.  As readers, we are drawn into the experience of the taxi cab and feel as though we are looking out the window with the author himself.

http://www.nytimes.com/2011/09/02/opinion/reverie-in-yellow.html?ref=editorials




Alabama’s Shame (#2)


             The tense topic of immigration is prevalent in today’s society; everywhere we look, people are debating about what should be the status of illegal and legal immigrant into the United States.  Some states, much to the dismay of many pro-immigration citizens, are cracking down on laws to limit and regulate immigrants.  In “Alabama’s Shame” the author uses diction, imagery, and details to argue his opinion that the law in Alabama (which requires school officials to check the immigration status of newly enrolled students and parents) is unconstitutional and unjust and that President Obama needs to more forcefully argue for the values the exist in American society.
            Because the author is against the new law in Alabama, his use of diction adds to his tone of disappointment, anger, and unrest that contribute to his argument.  He uses words such as “hostile” to describe the state of Alabama and describes the condition of immigrants in Alabama as a result of the new law as “isolated”, “unemployable”, “poor”, “defenseless”, and “uneducated”.  These are harsh, blunt words that make his tone undeniably negative and support his opinion that the law is cruel.  The law itself is described as a “crackdown” that is “senseless” and “unconstitutional”.  These words contribute effectively to the overall meaning that the new law is unsympathetic and demeaning to immigrants living in Alabama.  School officials often ask for paperwork that cannot be provided by the student, which results in the refusal to admit him/her to school.  The author uses the verb “deny” to describe what the school officials are doing to the young child who is seeking an education.  The diction used in “Alabama’s Shame” adds significantly to the argumentative tone, which in turn supports the meaning of the editorial.
            The author also uses specific details and imagery to contribute to his tone.  He provides the detail that an immigrant-rights group hotline has received “more than 1,000 calls from pregnant women afraid to go to the hospital, crime victims afraid to go to the police, parents afraid to send their children to school.”  The situations the author adds to his editorial trigger sympathetic feelings in the reader  that persuade him/her to agreeing with the point the author is making.  Pregnant women, victims, and young children are all very vulnerable images that make one feel badly for the immigrants that are affected by the new law.  Another detail the author provides is a particularly heartless-sounding quote from an Alabama school superintendent.  The author then adds to the tone of the quote by stating again how many immigrants are frightened.  The details and imagery provided in the editorial add depth and substance to the argument made by the author.
            The author of “Alabama’s Shame” uses diction, imagery, and details that pull at the hearts of the reader in order to provide a more persuasive argument.  The techniques used in the editorial create an overall tone of disapproval and disappointment at America as a whole that contribute to the meaning that Alabama, and many other states, are overly harsh and cruel to immigrants in the United States.

http://www.nytimes.com/2011/10/04/opinion/alabamas-shame.html?_r=1&ref=editorials





Hastening Slowly Through Fall  (#3)

              As we head into any new season, we grow excited for the traditions and activities that come with it.  Fall, in particular, holds the pre-holiday fervor that can only begin when the cold air begins to blow.  In her essay “Hastening Slowly Through Fall”, Verlyn Klinkenborg makes the point that the beauty and atmosphere of fall should be appreciated and anticipated through her use of diction, imagery, and language. 
            Klinkenborg uses diction to paint a vivid image of the season we all love and anxiously await.  When she is comparing the caterpillars of fall to the millipedes of summer, she describes the caterpillars as “pelted” and the millipedes as “muddy” and “gelatinous”.  In the third paragraph, Klinkenborg writes of the “temptation” to do nothing and enjoy the change of season, suggesting how alluring it is.  When writing about the turkeys coming down from the woods, she says that they are “ghosting” over the fields, a verb that creates a mysterious, eerie air about the turkeys.  She uses the word “hastening” both in the essay and in the title, a piece of diction that one would associate with rushing.  However, in the title, she contrasts it with the adverb “slowly” to give it a more luxurious, peaceful feel.
            In her essay, Klinkenborg uses imagery to set the scene of her essay and add to the meaning that fall is a wondrous and fascinating season.  She describes the farm as having chickens that “lie in blobs of sun”, making one think of fluffy white chickens relaxing lazily in the sun’s warmth.  She describes humans as “yearning for wood-stove gaskets and log-splitters”, appealing to our sensory images with the quintessential fall-smell: a wood burning fire.  She adds more images such as “hickory nuts falling”, “the flight of sugar maple samaras”, and chipmunks that “always seem to be rushing somewhere, pause and eat a maple seed”.  The chipmunk image in particular gives the impression that even the animals, which are always busy, and also stopping to enjoy the beauty of fall and partake in what it brings.   
              Klinkenborg uses several similes and personification in her language to add emphasis and life her piece, creating the meaning that autumn is much anticipated with it.  She writes that the caterpillars are “like moss creeping up the door frame in individual inches”, a simile that seems peaceful and natural, a mood that differs sharply from that surrounding the millipedes.  She also uses personification, writing that “once it’s burning the smell of wood smoke will lead us by the nose into winter”.  Klinkenborg’s personification is beautifully crafted and enhances the idea that fall is a pleasurable and exciting season that is a gentle reminder that the holiday season is just around the corner.
            In her essay “Hastening Slowly Through Fall” Verlyn Klinkenborg uses techniques that create images in the reader’s head and contribute to her meaning; through diction, imagery, and language, Klinkenborg adds to her overall theme that the fall season is thoroughly enjoyed and anticipated by everyone.

http://www.nytimes.com/2011/10/20/opinion/hastening-slowly-through-fall.html?ref=editorials


Me Talk Pretty One Day (#4)


        In his essay “Me Talk Pretty One Day”, David Sedaris uses a wealth of vivid imagery, diction, and language to support the theme of the difficulty of learning a new language.  His writing is impactful and intriguing through his use of these techniques.
            Sedaris uses imagery inside and outside the classroom to create the feeling of excitement and fear that he felt when taking the French classes.  He refers to “Playmate of the Month data sheets, the answers always written in the same loopy handwriting” to describe the type of personality of one of his classmates.  Sedaris describes his mother as “flushed with wine, pounding the table top” to create the image of a hearty woman full of vigor.  When trying to come up with an answer to the teacher’s question, he describes himself as jotting “frantic notes in the margins” of his pad, creating the familiar image of a nervous student.  He uses the image of a refugee camp to describe the tense feeling that existed in the hallways as he spoke to his classmates.  The imagery that Sedaris uses enhances his meaning by making the reader feel as though they are in France with him.
            Sedaris also uses diction that supports his meaning.  Words such as “nerve-raking” and “language pool” create the feeling of anxiety and tension as the students wait for their teacher.  To describe one of his peers, he describes her as “rabbity”, a pejorative word that coincides with the previous description of her having large front teeth.  Verbs like “scrambled” and “struggled” also add to this image of students nervous and afraid. 
            Through his use of similes and interesting comparisons, Sedaris adds a lively feeling to his essay.  When describing one of his classmates frantically trying to come up with an appropriate answer to the teacher’s question, he describes her as “staring down at her lap as though the appropriate comeback were stitched somewhere along the zipper of her slacks”.  He describes another of his classmates as a Playmate of the Month, a comparison that adds to his writing by reaching outside of context.  Sedaris also uses a number of complicated-looking French words.  Because the reader probably has no idea what they mean, the words make the reader feel as he feels, confused and lost in the presence of a foreign language.
            Sedaris uses imagery, diction, and unique language to create an essay that makes the reader feel as though he/she is present in the classroom with him.  His use of techniques creates the meaning that learning a new language is a difficult process.


http://www.macobo.com/essays/epdf/Me%20Talk%20Pretty%20One%20Day%20by%20Sedaris.pdf





Race to the Bottom (#5)

            The race to become the Republican candidate for the 2012 election is firing up vehement Democrats, Republicans, and all in between.  The editorial “Race to the Bottom” is the culmination of the thoughts of someone who one can presume to be strongly Democratic.  In “Race to the Bottom”, the author uses powerful diction and specific details to make his point that Mitt Romney and Rick Perry are being purposefully deceitful and malicious in their attempts to secure a spot on the presidential ballot.
            Much of the diction that the author uses is strong and piercing; the words create a tone similar to the one of the candidates whom he is criticizing.  The author describes campaign ads in general as “deceitful”, “offensive”, and “infuriating”, and comments that they “cynically exploit” and “distort” religion and the lives of the opponents.  He describes Governor Rick Perry’s new ad as supported a certain “right-wing fantasy” that Obama has a war on religion.  These words paint campaign ads and specifically Perry’s new one in an extremely negative light.  The author goes on to describe Mitt Romney’s ad as one that “trumpets” his loyalty to his family, a word that creates the image of Romney bragging and parading his seemingly untarnished personal history. 
            The details in this editorial point to specific instances that emphasize Romney and Perry’s tendencies to lie to the public.  He comments on Perry’s recent religious ad the plays off the fact that he is a Christian and subtly puts down Romney and his Mormon beliefs.  He quotes Perry promising to fight “liberal attacks on our religious heritage”, a detail that the author follows up with facts about Obama’s allowance of gays to serve in the military and the untrue statement that children aren’t allowed to celebrate Christmas.  The author also comments on one of the Romney’s ads and how it used an out of context quote from Obama in 2008 to attack him.  Romney’s advisor then proceeded to justify the ad in saying that all ads are “manipulative pieces of persuasive art”.  The author uses these key details to point out instances when the Republican candidates are dishonest and uncivilized.
            The editorial “Race to the Bottom” successfully makes the statement that the Republican candidates and their ads are getting increasingly more deceitful.  Through diction and details, the author paints the candidates in a negative way and persuades the reader that his beliefs are fact.